Nairobi, Kenya – August 15, 2025 — When Zach Cregger shocked audiences with Barbarian in 2022, his inventive twist on Airbnb horror earned him instant acclaim as a rising star in the genre. His second feature, Weapons, arrives with higher expectations, a bigger budget, and an aggressive marketing push from Warner Bros..

The hype started when Cregger’s script triggered a Hollywood bidding war, with Variety reporting that Jordan Peele was so eager to land it that he split from his management after losing out to New Line Cinema. For two years, fans and critics have speculated about the mysterious project, especially after Cregger described it as his Magnolia.

The story begins with a disturbing event — seventeen children from the same class vanish at exactly 2:17 a.m. All of them leave their homes in the dead of night, except for one boy. Police remain baffled, and parents direct their fury at Ms. Grady, played by Julia Garner.

From there, the film shifts between multiple perspectives: a grieving parent (Josh Brolin), a frustrated cop (Alden Ehrenreich), a petty criminal (Austin Abrams), and the one child who stayed behind (Cary Christopher). The interwoven narratives slowly reveal fragments of the mystery, keeping viewers hooked.

Cregger builds tension effectively, avoiding the trauma-driven horror trend. His direction channels the eerie atmosphere of Prisoners while delivering stylish set-pieces and well-timed jump scares.

However, the characters lack depth. They function more as narrative tools than fully realized people. This leaves the story feeling hollow beneath its glossy surface. The multiple viewpoints create an illusion of complexity, but the central mystery turns out to be far simpler — and sillier — than its framing suggests.

The cast brings energy to the film, with Garner excelling as the embattled teacher. Ehrenreich adds volatility, and Brolin delivers his usual gravitas. A late cameo from an undisclosed actor provides one of the film’s creepiest moments.

Visually, the film impresses with crisp cinematography, immersive sound design, and haunting imagery. Yet by the finale, the violence feels more gratuitous than meaningful, leaving an emotional void.

Weapons is a gripping, stylish thriller that confirms Cregger’s talent behind the camera. Yet, like Barbarian, it struggles with narrative depth. It’s a wild ride for genre fans but won’t satisfy those seeking sophistication.

Rating: ★★★☆☆ (3 out of 5)